Essay on Tibetan Buddhism

In this movie, there are various lessons about death that are exhibited. In the first part of the movie, death has been described as a process of transference or transition between one’s life and the next life that occurs before, during and after death. Modern Mummification is a process that is also important in helping the viewer to understand the importance with which the Tibetan treats death. As a first viewer, the second lesson that is portrayed in this movie about death is that death is a way of transition that changes and individual from the current state to a better state depending on their activities in the first life. This is used to portray death as a purifier of life and that everyone is expected to go through the process of purification. The insightful discussion offered about modern mummification play a major role in exposing death as a sign of honoring one accomplishment in life.

The process of mummification is clearly stated as one that enables one to easily transfer to another life while at the same time remaining relevant to the living. This approach has not only approached death as nature’s honorable way of treating the inhabitants of the cosmos, but also, as an initiation into a different life, the life that is better than the normal life.

According to the plot of the DVD, there are two main purposes of the movie. The first is religious. The appearance of the Dalai Lama seeks to instill a religious perspective on a rather cultural piece of work. In the initial fraction of the film; a way of life, different aspects of death in relation to life are tackled. In this undertaking, the movie plays a major rule in empowering 5rthe viewer on the religious and cultural understanding of the Tibetan people on death. This is the main purpose of the movie as one watches it. Another purpose that has not been given much consideration but is evident is related to the history of the Tibetans. As a viewer one gets to know the genesis of all the rituals performed during death in the Tibetan society. The movie has given more time to the historical aspect of the rituals so as to enlighten the foreign viewer on the culture of the Tibetans. Although it has not been given much prominence, the historical factor in this movie serves as the second purpose for its creation.

The second part of the movie is more detailed than the rest of the movie. As one watches the second liberation, one has the feeling that death is not just a robber of life but a way of fulfilling the almighty work. The transitional aspect of life is given more credence in this part. For a casual viewer, it may pass as a normal documentary on cultural perception of the Tibetan people. For a careful viewer, this part provides the best information in unraveling the state of death in the minds of the Tibetans. A good viewer will be able to note that the sociocultural influence of the spiritual leader takes a center role in this part. Constant references to the Dalai Lama when the cultural aspect of the Tibetans is mentioned plays a major role in achieving this purpose, the second part arouses a feeling of satisfaction and enlightenment in relation to the unanswered cultural questions of part one. This process is more for the living than for the dead. By putting much detail in the process of transformation from one life to the other, the information is directed to the living and not the dead. Only the living would require such crucial information about death.

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